Woven Rooms of Childhood- From Parklek to Itoshima
Upcoming Project – Japan summer 2026
After the mobile Parklek in artistic form, woven artefacts and marionettes of collective childhood memories, has been presented in Kramfors through a residency, I will now bring it abroad. In July 2026 the project travels to Japan, where I will take part in an artist residency at Studio Kura in Itoshima.
This residency creates a dialogue with the Japanese adventure playgrounds (asobi-ba), which emerged during the 1970s inspired by Scandinavian staffed playgrounds and the British junk playground movement. Both traditions carry ideas of children’s right to free play and community, yet shaped through different cultural expressions.
Japanese craft traditions have long inspired Europe. Already during the time of the East India Company, Japanese materials, patterns, and techniques sparked fascination. In the 1960s and 70s, Japanese textiles, lacquerware, and handmade paper were exhibited in Swedish museums such as the Museum of Far Eastern Antiquities and the Röhsska Museum. These encounters brought together simplicity, the hand’s process, and the use of everyday materials as central expressions. In the same spirit, my project seeks to weave together the social practice and aesthetics of the parklek with Japanese play and craft culture—an exchange where everyday life and artistry become bridges between countries.
Just like the residency in Nordingrå, Kramfors, Studio Kura also welcomes artists with children, which is why I will bring my own children to the residency. As an artist and social designer, I see this as a deepening of the theme: to explore childhood cultures and collective care in the meeting of art, pedagogy, and parenthood. The project aims to foster joy in making, social inclusion, and living conversations about cultural heritage and creativity- resonating across national borders.